“The Revolution’s here, and you know it’s right”: popular culture, the counterculture and 1966
Abstract
The periodization of historical periods is a familiar yet problematic tendency. Epochs don’t start or end cleanly. Moreover, it can entail some sort of unifying, idealist spirit of the age. As Fredric Jameson once noted,“cultural periodization implies some massive kinship and homogeneity or identity within a given period….” 1 This is the case with the exhibition
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