The Soundtrack (Soundtrack)

The Soundtrack is a multi-disciplinary, double-blind peer-reviewed journal that brings together research in the area of music and sound in relation to film and other moving image media, including television, games and installations. A complex cultural, technological, industrial and artistic phenomenon, sound-with-moving image is a rich area for analysis, investigation and speculation. We encourage writing that is accessible to audiences from a diversity of intellectual backgrounds and disciplines as well as providing a forum for practitioners to discuss and describe their work. The Soundtrack's aim is to nurture this new and expanding area of academic investigation in dialogue with soundtrack producers of all kinds. Areas of particular interest include, but are not limited to: classical and contemporary film/TV/gaming soundtrack style, radio, recorded music, audio translation, sound and the built environment, musicology, storage media as cultural document, histories and theories of global sonic cultures, music/sound and politics, labour in the sound and recording arts, technology, audience studies, digital humanities, acoustic ecology, decolonizing sound media, sound ethnography, sonic mapping and cartography, artist profiles, teaching and pedagogy, as well as reviews of new or noteworthy books in the field.

The Soundtrack (Soundtrack) is :-

• International, Peer-Reviewed, Open Access, Refereed, Film Studies, Media Studies, Musicology, Sound Studies, Game Studies, Television Studies, Cultural Studies , Online or Print , Yearly Journal

• UGC Approved, ISSN Approved: P-ISSN P-ISSN: 1751-4193, E-ISSN: 1751-4207, Established: 2007,
• Provides Crossref DOI

• Not indexed in Scopus, WoS, DOAJ, PubMed, UGC CARE